Author Archives: Rich Handley

The Raving: A Response to the Poe-et

Edgar Allen Poe’s The Raven… Any college student (or fan of The Simpsons) knows the story of this classic horror poem: A lonely hermit, reading old books in his solitary castle, is visited by a bird he believes was sent to taunt him about the death of his beloved Lenore. Staring from a high perch, refusing to leave and repeatedly uttering the cryptic phrase “Nevermore,” the bird slowly drives the man to the depths of despair and insanity.

 nevermore

Or, at least, that’s how scholars have always interpreted it, based on the man’s first-person narrative in the poem. The raven himself, however, has quite a different version to tell…

Once upon a midnight dreary, while my wings were getting weary

From a flight that brought me wandering over hills and trees and more,

Up ahead I saw a tower, and since I was low on power,

And I needed, at that hour, power to my flight restore,

I descended toward a window right above a chamber door—

Only this, no reason more.

 

Ah, distinctly I remember, it was in the bleak December,

For the worms found in September now were safe beneath the floor.

Eagerly I wished for summer, when the worms were so much dumber

And each avian newcomer could find fifty worms or more.

Yes, a raven could at lunchtime gobble fifty worms or more…

But in weeks, I’d found just four.

 

So I landed, fairly certain that behind the purple curtain

I’d find food to ease my hurtin’, then continue on my tour.

As I settled down, the beating of my wings foretold a meeting

‘Tween myself and someone reading volumes of forgotten lore.

Still, I only thought of feeding since my abdomen was sore—

Only this, no reason more.

 

Now reminded of my hunger, hesitating then no longer,

I prepared to take to flying—for some morsels I’d explore.

But some human started yapping, saying how he had been napping,

Before I could start the flapping of my wings to go explore—

And the look upon his muzzle was as though he’d witnessed gore.

Curious, I flew no more.

 

Though I knew no one was nearing, still the human stood there, peering,

Gazing, staring at the darkness like he’d seen it not before.

Then I thought he must be chokin’ as he made the silence broken

With an utterance he’d spoken—as he croaked the name “Lenore.”

And the wind produced an echo of that single word, “Lenore.”

Though he thought ’twas me, I’m sure.

 

Back into the chamber turning, he retreated as if learning

That the sound he thought was tapping came from branches on the door.

So, considering my status undiscovered near the lattice,

It seemed safe to linger—that is, safe to perch above the door.

But I noticed that he faltered when he tried to reassure:

“‘Tis the wind and nothing more!”

 

As he opened up the shutter, not a whisper did he utter.

This I naturally assumed an invitation to explore.

And since nothing had forbade me, and still curious ’bout the lady,

I descended to a statue perched above the chamber door.

Food forgotten, I decided I would learn about Lenore—

Only this, no reason more.

 

Then I noticed he was smiling up at me, perched near the tiling,

Though sincerely or in anger I could scarcely tell for sure.

But in any case, a raven couldn’t smile if you paid him

‘Cause, you see, our beaks would cave in from the pressure they’d endure.

So I gave up hope of smiling as my name he did implore,

And I told him “Nevermore.”

 

Often I have fancied vainly that the name my parents gave me

Had a strong and hidden meaning which they wished to underscore.

But the truth, as now I’m seeing (with which you’re, no doubt, agreeing)

Is that no one merits being named a name like “Nevermore.”

Even though they never knew what Fate for me would have in store,

Still their choice for names was poor!

 

I could tell that he was lonely, for I spoke that one word only,

Yet his gaze continued stonily, begging me to utter more.

But the fact that I had muttered just the one word I had uttered

Stunned me such it made me shudder from my feathers to my core,

For I’d never spoken English when I’d said my name before—

Only “bird talk” heretofore!

 

While I wondered how I’d spoken, I could see that he had no kin,

For nobody else’s clutter mixed with his upon the floor.

He inquired if my master had encountered some disaster,

And his speech kept getting faster as his questions did outpour.

But, alas, my name, it was the only word that I could roar…

Just my name, and nothing more.

 

Once again he started smiling, as some pillows he was piling,

And he sat upon them, silent as a mussel on the shore.

As the silence in was creeping, I returned my thoughts to heaping

Mounds of food (which, you’ll remember, is what drew me here before).

Since the human seemed as though from there on in he’d me ignore,

I again prepared to soar.

 

For some food would be a blessing, and I had no way of guessing

When another opportunity to eat would be in store.

As my thoughts returned to dining (he still silently reclining),

I discovered then that my wing wasn’t working anymore!

Damaged landing, it could not support my weight to let me soar—

I was stuck atop that door!

 

Oh, his brow did crease much denser and the mood grew much intenser,

As he started shouting curses I had never heard before.

For no reason I could fathom, his whole body shook in spasm,

And his eyes were like a chasm gone aflame on all sides four,

As he many times accused me of descending near his door

Just to taunt him ’bout Lenore!

 

“Prophet,” yelled he, “thing of evil!—Prophet still, if bird or devil!”

And I wished to God my species had developed vocal chords,

For the questions he then ranted as he prattled on and panted

Had me so confused—how did we enter such a bad rapport?

I’d done nothing so offensive as to spark a verbal war—

Only roosted, nothing more!

 

But he’d called me “thing of evil,” though I knew I was no devil—

I’d done nothing on the level of an evil devil, sure!

‘Tis the truth I now am statin’—I knew nothing of his maiden!

I was just a bird, sweet Circumstance’s victim, to be sure,

Wishing desperately my wings would work so I could leave his door.

So I cried my name once more!

 

Then this raving looney started to demand I be departed,

Which was pointless, for if I could leave, would not I have before?

How I wished I could have spoken, just to say my wings were broken,

And I really wasn’t jokin’ with him ’bout his lost Lenore!

Ah, the horror that I felt, eternally trapped above that door,

As I hollered, “Nevermore!”

 

So for days have I been sitting—weak and famished, never flitting—

While that crazy human stares at me from pillows on the floor.

Though he’s finally stopped his screaming, still I sense that he is scheming

How to write a poem deeming me a demon to abhor

So that scholars ever after shall delight to tell the lore

Of the evil “Nevermore!”

 

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Deep Space Nine and Babylon 5: Remarkably Similar—Or Similarly Remarkable

During the past two decades, fans of Babylon 5 and Star Trek: Deep Space Nine have noted many similarities between the popular science fiction franchises. Such comparisons were inevitable, given the controversy involving the two series’ genesis. It has been suggested by J. Michael Straczynski that Paramount, after considering his proposal for B5, passed on the project but then rushed to get a Star Trek-based version of its plot to television first. Paramount, meanwhile, denies this was the case.

B5 and DS9: Where species can settle their differences peacefully.
(Image courtesy sweetpaul.com)
It really doesn’t matter which series was created first, however, or which production company may have swiped concepts from the other, as each was brilliant in its own right—plus, each borrowed elements of other tales predating both shows. Since this month marks the 20th anniversary of Deep Space Nine‘s premiere, “The Emissary,” with B5‘s pilot, “The Gathering,” celebrating its 20th anniversary in February, both shows deserve their proper place in sci-fi history.
The following list illustrates how closely the two shows mirrored one another in terms of concept and characterization. Although Walter Koenig, Majel Barrett and other actors appeared on both series, this list pertains only to story-related similarities, as it’s quite common for actors to work on a number of different TV series.
2
It could be a dangerous place… but it was our last, best hope for peace.
THE STATION

• Both shows were set on massive space stations with single-digit names (Deep Space 9 vs. Babylon 5) located near transit points of immense power that were not of Terran design (the Bajoran Wormhole vs. the Centauri-made jumpgate).• Both stations were used to foster peace between former enemies following a terrible war (the Bajoran-Cardassian conflict vs. the Earth-Minbari War), and were intended as a stopping-off point for diplomats, merchants, smugglers and other travelers.

• Both stations were administered by an Earth-based government (the Federation vs. the Earth Alliance), but were located outside Earth’s solar system (Bajor vs. Epsilon III).

• Both stations contained a marketplace for commercial activity that included bars, restaurants and casinos (the Promenade vs. the Zócalo), as well as holographic sex joints (holosuites vs. a holobrothel).

• Both stations received massive weapons upgrades approximately mid-series, and later formed alliances with several formerly competing races in order to win a galactic conflict (the Dominion War vs. the Shadow War).

• Both stations had a security force composed of fighters from two formerly non-aligned governments (Starfleet and Bajor vs. Earth and Narn).

• Both stations included sections deemed dangerous that were no longer used by their owners (the damaged levels of DS9 vs. Down Below).

3
This is where the adventure is. This is where heroes are made. Right here, in the wilderness.
THE CONCEPT

• Both shows focused on an enslaved, deeply religious race fighting to assert itself against its oppressors (the Bajorans from the Cardassians vs. the Narns from the Centauri).

• Both oppressive races eventually saw their homeworlds devastated by the resultant war, due to an outside manipulative race (the Dominion vs. the Shadows).

• Both shows featured enigmatic god-like entities revered as deities by less advanced beings (the Wormhole aliens vs. the Vorlons).

• Both enigmatic god-like races had “evil” counterparts they’d battled for eons, culminating in an ultimate face-off toward the end of the series (the Pah-wraiths vs. the Shadows).

• Both shows featured a grand story arc with aliens infiltrating Earth’s government to conquer it from within (the Dominion vs. the Shadows).

• Both shows involved a planetary civil war (on Bajor vs. on Earth).

• Both shows featured a shadow department within Earth’s government (Section 31 vs. Bureau 13—the same number in reverse—as well as Night Watch and Psi Corps).

• Both shows, during the first episode of the third season, added small, special-armored spaceships built using alien technology (the Defiant with Romulan tech vs. the White Stars with Minbari tech), and both ships were destroyed and later replaced.

• Both shows had pilot episodes featuring an alien shape-changer (Odo vs. the Minbari assassin).

4
They were there at the dawn of the Third Age of Mankind.
THE COMMANDER

• Both stations’ commanders (Benjamin Sisko vs. Jeffrey Sinclair and John Sheridan) were traumatized by a recent war with a devastating enemy (the Borg at the Battle of Wolf 359 vs. the Minbari at the Battle of the Line).

• Both stations’ commanders recently lost a wife (Jennifer Sisko vs. Anna Sheridan), leaving them depressed and angry—and both eventually lost that same wife a second time (Jennifer in the Mirror Universe vs. Anna in her Shadow-altered state).

• Both stations’ commanders had independent ship captains for girlfriends (Kasidy Yates vs. Carolyn Sykes and Catherine Sakai).

• Both stations’ commanders remarried during the series (Kasidy vs. Delenn) and both, upon dying, left behind that second wife and a son (Jake Sisko vs. David Sheridan).

• Both stations’ commanders eventually became a spiritual leader, fulfilling a prophecy (Sisko for the Bajorans vs. Sinclair for the Minbari and Vorlons, with Sheridan being worshipped, centuries in the future, as part of a divine trinity).

• Both stations’ commanders vanished, their fate a mystery to the masses (Sisko becoming a Prophet vs. Sinclair becoming Valen and Sheridan joining the First One beyond the Rim).

5
Meet the deep space nine. (Nudge, nudge.)
THE CREW

• Both stations had a hotheaded female second-in-command who had lost loved ones during a war (Kira Nerys vs. Susan Ivanova), and both found it difficult to trust their new commander (Sisko vs. Sheridan).

• Both shows had an “everyman”-type character (Miles O’Brien vs. Michael Garibaldi) whose assistant betrayed him during the season-one finale (Neela vs. Jack).

• Both shows had a chief of security constantly under scrutiny by Earth (Odo vs. Garibaldi), and plagued by personal issues (Odo facing loneliness, homesickness and unrequited love for Kyra vs. Garibaldi battling alcoholism, paranoia and unrequited lust for Talia Winters). Both security chiefs were eventually manipulated by others, compromising their ability to perform their job (Odo by the Founders vs. Garibaldi by Alfred Bester).

• Both shows featured an idealistic doctor hiding a secret (Julian Bashir’s genetic engineering vs. Stephen Franklin’s drug use and telepath underground activities), and both doctors had strained relationships with their fathers.

• Both series featured a side character who, despite being from a selfish, egocentric species, displayed uncharacteristic morals and personality traits (Rom vs. Vir Cotto). Both were initially viewed by their world as a loser, but ended up revered by series’ end as their people’s new leader.

• Both shows had a major female character replaced by another during the final season after the actor playing the first character decided to leave (Jadzia Dax and Ezri Tigan vs. Ivanova and Elizabeth Lockley), and in both cases, the in-universe explanation stemmed from the death of a jovial character with great wit, intelligence and fighting skills (Jadzia vs. Marcus Cole).

• Both series had characters whose loyalties and attitudes changed over time, transforming them from villainous to heroic, or vice versa, and sometimes back again (Quark, Garak and Dukat vs. Londo Mollari, G’Kar and Lyta Alexander).

• Both series featured characters who carried on illegal activities at the stations, much to the security chief’s frustration (Quark vs. N’Grath, Deuce and others).

• Both series featured recurring characters who ultimately turned traitor and were later killed (Michael Eddington vs. Lennier and Talia Winters).

• Both shows featured a member of the top brass staging an attempted coup d’état of Earth’s government (Admiral Leyton vs. General Hague—both portrayed by actor Robert Foxworth).

6
A casting coup in any universe.
BONUS SIMILARITY
• This one is admittedly a stretch, but both shows had characters with names pronounced “Dukat” and “Lyta,” though with different spellings in each case.
Despite the above list, Deep Space Nine and Babylon 5 not merely clones of each other. In fact, there were just as many differences as similarities, and the two shows became increasingly divergent as time passed. Nonetheless, the evidence is pretty conclusive: B5 and DS9 were remarkably similar—or maybe they were just similarly remarkable.

Rich Handley is the editor and co-founder of Hasslein Books (hassleinbooks.com), the managing editor of RFID Journal, a frequent contributor to Bleeding Cool Magazine and the author of four reference books: Timeline of the Planet of the Apes, Lexicon of the Planet of the Apes, The Back to the Future Lexicon and The Back to the Future Chronology (the latter with Greg Mitchell). He has written numerous articles and short stories for the licensed Star Wars universe. A reporter at Star Trek Communicator magazine for several years, Rich helped GIT Corp. compile its Star Trek: The Complete Comic Book Collection DVD-ROM set, and is also writing the introductions to IDW’s Star Trek newspaper strip reprint books.

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